New video for my poem inspired by Neasden Temple!

Yipee! Today is the day I can share the video for my second commissioned poem as Brent Poet Laureate! Inspired by BAPS Shri Swaminarayan Mandir, which is commonly known as Neasden Temple, the poem explores the contrast between this quiet reflective space and the hustle and bustle of busy city life. Hope you like it!

The video was directed and shot by Karim Kamar, and you can read the text version of the poem here:

Inside the mandir at Neasden temple
each gleaming white pillar is a spotlight of silence.
I read that inner peace brings you in to contact
with your true divine nature. See the intricate infinity
of patterns in the domed roof above. Silence
1.water, toilet roll, milk, bread. 2. Put a wash on.
3. Make a plan for the week – factor in time to be spontaneous.
4. Book advance train tickets for Thursday 12th.
I read that Ganesh is the remover of obstacles.
Smile at his one tusked elephants’ head and round belly.
Feel my bare feet warm on the marble floor. Silence
5. Adam’s email about the invoices. 6. Make space
once everything is done to chill out. Stop.
It is rare to see Ganesh dance. And yet up close
this shiny stone column is carved with such music
that he does. In eight different ways
First on tip toes, with knees bent, trunk swung to one side
As two hands of four beat drums, two carve sky palms wide
trunk grips a trumpet, as left heel kicks high
bells ring, shakers shake, horns blow
Ganesh’s father Shiva was the cosmic dancer.
The rhythm of the shapes that he threw
destroyed a weary universe, clearing the way
for the process of creation, and this silence
is its own dance, the ripples
spreading out into the space between

Poetry postcards

“Dear somebody, it’s great here. The first thing I saw when I arrived was a stone chicken. It chased me. But then I built mansion deluxe.”

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So, with an early September chill upon us I feel inspired to post about two of the workshops I enjoyed running most this summer, both of which used the approach of writing poetry postcards from a dream holidays.

The idea was that writers could use a real place they’d like to visit as a start point, but that the pieces should be more like dream holidays in the sense that they move a bit beyond reality. I used prompts that I hope encouraged people to let poetic and exciting and ridiculous thoughts flow, and the results seemed to indicate they had the desired effect!

The first workshop took place in Ealing Road Library for children aged 6-10 and was run in my role as Brent Poet Laureate. Here are some of the highlights from their writing:

“Dear mum, I woke up to hear a purple chiwawa barking birdsong. Everyone was singing happy birthday. My bed at the hotel is massive…”

“Dear dad, I arrived on a magic train. But the best bit was in the football stadium when it rained chocolate. My friend Eric was there too.”

“Dear her majesty the queen, tonight I ate dinner in a bee hive. All the food was honey flavoured. Honey chips, honey curry etc… The chef was a tiger the size of a bee.”

“Dear mum, last night I slept in my tent. You know, my tent in which anything you say appears. I said “i-pad”

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The next time I ran the session I do so in the North East of the country, up at ARC, Stockton Art Centre – a lovely venue where I took the ‘Indiana Jones and the extra chair’ residency earlier this year. This time around the group were teenagers, and it was amazing to see how the same prompts led to a different but equally exciting outcome. The pieces ended up being more narrative in cases, or dealing with issues that may have been lurking under the surface of a writer’s subconscious in some way. Unfortunately I don’t have the writing to hand, but I mention this session for two reasons:

1. It was fun and the participants were great!
2. We had some great conversations about re-drafting and editing off the back of the exercise.

As well as being a nice start point for some summer writing, the idea behind using postcards is that the form makes editing essential – once people had written freely on big bits of paper, they plucked their favourite bits for the card, or tried to get across as much of the idea as possible by condensing the writing stlye itself, or in some cases just trying to write really small! I did find though that people were much more open than normal to the idea of cutting text that maybe didn’t work as well – I guess it’s much easier to cut out bits of writing you like which don’t quite work if the only other option is to lose another bit of writing which you like more and works better!

If you have fancy having a go I have included the prompts below. Remember – allow whatever lands in your brain to land on the page. The time for editing will be when you make the transition to a postcard. To begin with, if you come up with the idea that you arrive in a forest of chocolate trees on a spy plane piloted by a koala then go for it! If at night you sleep in a hammock woven from the words to beatles songs, that’s fine! If brad pitt serves you breakfast in bed and the view from there is a cloud castle, fine, even better if the cloud castle has your 4 year old self DJing from the turret. But if this is the case, what do you play as the first record to start each morning?! If the mist drifting across the deserted beach smells of your gran’s apple crumble, or the waves at low tide make the sound of her humming as she waits for it to cook, I want to know…

How do you travel there? Remember think as wild as you like – for example you could think what is your mode of transport constructed from, how does this affect your journey?

One special item you packed to take with you. Why do you need it when you are here?

One item you were happy to leave behind.
First thing you see when you arrive?

What’s your accommodation like?

Where do you sleep at night? How does the bed feel?

What sounds do you hear when you wake up in the morning?

What is the view from your bed/bedroom?

What can you eat? Where? Who makes it? Serves it? What memory did the best meal taste of?

What’s the weather like? Don’t just say sunny! Think about how to describe dream weather – what song do you associate with the weather?

What do you see in the sky – get wild, imagine stuff!

Who else is there? Can be people that came with you or you met there, or can be just you. Can be people you really know, people you’ve made up, famous people, whoever. Why is it so good that they are there?

What has been the highlight of your trip so far?

If you do the prompts yourself, or use them in a workshop it’d be great to know how it goes!

The Poem as right now, again and again and again

Some days I am moving easily through the world & I am aware of being present & I am so full with this feeling I could burst. In a good way. Mostly though, I find it hard to relax. I rush to finish things, to have done something rather than be doing it. That restlessness worms its way into my writing process. And this makes me mad but it is hard to stop. Learning to stay is the work of a lifetime.

For me, poems are part of that work. Seeing and re-seeing the world. Writing and re-writing what I see. And then occasionally crafting a poem which feels like a living thing in it’s own right. Something that is of the world as well as referring to it. Something which exists in the moment, again and again and again. I like this feeling. It makes some of the other bad feelings feel better.

The lovely folks at Now Festival have got me thinking about this stuff and so I will be talking about this stuff and doing poems and getting other people to do poems at Wilderness Festival for them this coming weekend…

Gladstone Park

After last week’s offering from Dominic, here’s a poem from another participant at the first workshop I ran in my role as Brent Poet Laureate. It’s by a fantastic local writer called Sam Burcher – you can find out more about her, and the book she’s just published at her website here

Gladstone Park

A green haze shimmers over distant goal posts and tennis courts.
I cross the field to the crack-crack sound of ball against bats
Feeling the tiny tremors of caterpillars and worms beneath my feet,
And the rumble of a goods train through Dudding Hill Junction.
I am a witness to the last vestiges of Gladstonbury; a full nappy, shards of broken glass, a flipped off bottle top and a pink metal bangle.
Gladstone Park is a microcosm of the universe enjoying more of itself.

The banner says, “We haven’t stopped fighting”
Across the boarded-up doors of Cricklewood Library, on the park’s periphery,
Where makeshift bookcases with polythene flaps and storage boxes
Contain the books that, by rights, should still be inside the library;
After all, the council is paying rates to keep the building empty.
I take my pick to read on higher ground,
To William Gladstone’s house, to elevate myself,
But the walls of this grand old house have been brought down.
Because it’s cheaper for the Government to run to ruin
The local spaces that serve a community function.

So, I study the floor plan of the foundations; all the rooms have been
Taken over by grass and feathers, bricks and gravel, and floor lights
(And I bet it looks good at night all lit up like a mini Acropolis.)
But in my mind, I rebuild my favourite room, the cafeteria
With its ribbon curtain to keep out the flies, the lofty counter and the ice cream freezer behind,
Would you like cornets or wafers? Wafers, every time,
We’re a family of six, so we need a big block of Cornish with wafers. I can still taste them.
But, in the present, only one wall has survived the devastation and set within it, a glassless window
Gazes out over the abandoned bowling-green
– not much is left for either the older or younger generation.
If Gladstone stood at his window now he would see the steel cradle of Wembley Stadium.

Why did I return to Gladstone Park?
Because I wanted to show the London Plane trees how much I’ve grown.
They remember when that little slope on the way to the playground
Would tire me out; my limbs are longer, it looks much smaller now.
Where is the witch’s hat, the see-saw and the roundabout?
Health and Safety has put paid to risky pleasure grounds.
But the squeaking swings remain and the new adventure walkways
Are loops of creaking iron chains, carefully traversed by delighted children
Who don’t care that rust is falling off the railings and just the gates are painted red.

The Plane trees have grown too.
In summer, their topmost twigs overarch the path to the playground and become
A living cathedral; flying buttresses formed of leaves and branches above my head.
Only synapsing clouds and the sun, glinting off the slides, are higher than this edifice.

Or did I return to Gladstone Park to say hello to Ken Livingstone, a local resident, don’t you know?
“Sorry you lost the election,” I said. Sorry I didn’t vote for you, I meant.
I didn’t vote for Boris either; my first choice was a Liberal Democrat,
They’ve been so good in Brent.
But second choice Ken is resolute, “More time to spend with the kids,” he said,
“My daughter’s going to cookery school.”
And just like Gladstone’s house was razed to the ground against Ken’s wishes,
The careers of politicians often end up in failure.

In the environmentally contrived ‘long grass area’ I stumble onto a butterfly path,
Their rising wings flap darkly against the tall, swaying, sun scorched rye,
Which hide small dogs from calling owners
And where, a young girl with hair bleached white like Nanny’s,
Can sunbathe in a black bikini, a zip divides her assets.

I spy all of this glorious Gladstone Park life,
Then rest awhile against the trunk of a well-chosen oak tree.
I want to strap myself to it, to meditate and gain strength.
But, always the restless one,
I float on the breeze to Dollis Hill and back again
To watch the sun setting over Wembley:
A sea of fire is spilling across a petrol-blue sky.
Tomorrow it will rise over the minaret in Willesden Green.

On my way again, I’m careful not to tread on dusky bees in clover.
And know myself now as a solitary bee without my family.
And like a bee, I’m attracted to the high-walled flower garden,
Where the scent of yellow roses are, to me, sweeter than white or crimson,
I hone in on marigolds, two-faced pansies, bearded iris and silvery-blue thistles
Whose cupped spiny flower heads are the colour of the Aegean.
I alone can follow my spirit,
And I have found my way back home.

Sam Burcher

FREE WRITING WORKSHOPS – Brent based goodness…

As well as writing my own poems, it feels important that this project is about supporting other voices from within the borough to get heard too. The first of five free workshops I’m running around Brent took place at the new Wembley Civic Centre on a sunny Saturday afternoon a few weeks back – 10 Brent residents got involved, and I was genuinely impressed by the quality of the writing they came up with. There was a real range of content too; we had poems about Gladstone Park, a favourite local pub in Cricklewood, and the clock tower in Harlesden to name just a few!

The next workshop is for children and families, and is on Thursday 15th August at Ealing Road Library. Find out more here!

Anyway, here is a poem from one of the participants this time round, the very talented Dominic Stevenson. You can find out more about him on his blog here, and I’ll be putting a poem up from the awesome Sam Burcher next week…

Brent’s bells toll for freedom
Soft palm clutches
Crinkled
Sweat soaked, ink stained, appointment card.
Ten am,
Born again.
Mother tongue left at the door.

Stairs to the future
Littered with ghosts
Of histories forced to be traded
For legality,
And membership to the 60 million club.

So far the trek from one place
To this new land,
Fraught with problems of its own,
Has seen earth
And sea
And strangers
Whip past windows
And doors
And destinies missed.

Compassion for the new
In our society
Can be a rare commodity.
But here it runs over
The bricks,
Racing skywards.
Penetrating clouds
And making rain fall.

Oh sweet London drizzle,
How I have longed.

Now with her majesties blessing
Free passage awaits.
From home to abroad
And home again.
To my new land,
Mostly tyranny free.

Dominic Stevenson

Chill Pill brings the beach to Deptford Market!!!

We did our Chill Pill stall at Deptford market on Saturday, but this time we brought a beach for those summer vibes…
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Our stall and general presence in the market works in three main ways:
1. We wonder around offering people a lucky dip bag of themed poems and reading them the one they pick…

2.People come to the stall and ask for a poem about a particular theme, moment, whatever – we ask them a few questions and then they head off for 10/15 minutes while we write the thing…

3. We write poems similarly ‘instant’ poems inspired by chatting to market traders, bigging up what they do, connecting with them or their story in some way…

On Saturday I got talking to Evelin who runs a mobile coffee shop out the back of a little red van, and wrote something for her. Check the shaky video here (which gets a little too close to my face for my liking!), or read the piece below that…

Karu coffee, from Estonia with love
Arabica beans freshly ground, we make moves
Evelin, our house proud host, hoists a parasol
high above her little village of six chairs
and three tables. Six years ago to England
she came, having never made a coffee, not one
plans change! Her face holds the warm humble blush
of a craftsperson proud of their trade
back home, Karu means brown bear
which is kind of like ‘Pumpkin’
a name you call your lover maybe…
steam froths milk, wipe the nozzle clean
tap the base of the milk jug and pour
we make moves, summer tunes float
from the radio. And every day a new spot,
the little red van opens its doors
feel the buzz, from Estonia with love

Three deep at the bar – my first poem as Brent Poet Laureate…

When I decided to write my first poem for Brent inspired by my visit to Wembley for the England vs. Ireland friendly, I was pretty sure I’d write about the game, or at least the stadium. I wanted to tell people that if a nation can be judged on the way it treats its poorest, then surely the way to judge a stadium is the view from its cheapest seats, I wanted to shout loud from the rooftops that if this was the case then good old Wembley passed with flying colours! Or failing that, to biggup it’s world record as the venue with the most toilets (2168 to be precise). At least to mention the bloody arch! And I promise that one day I will, perhaps even making my next offering an ode to that glowing single-coloured rainbow of steel spleandour. But this time around I wrote about the pub on the high road. Because I’m sure we’ve all had a long wait for a drink at a busy bar, and for a pub in Wembley before England game, well times your worst experience by about ten…

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Three deep at the bar
The spoons pre-match is three deep at the bar
punters jostle for space, this is their six yard box
some man-mark, making eyes at one bar-staff only
others go zonal, locking down a spot as wide as two Wayne Rooneys
with constant slight shuffles from left to right. In short,
this ain’t your local on a quiet Tuesday night
where any mug can find himself in acres of space. This is Wembley.
Everybody’s touch tight here. Even the designated drivers
Tetchy and in need of a juice. Even the crafty old boys in flat caps
who seem content to grumble-hum about the plastic glasses
only to lunge in with last ditch refill requests.
I thought I had time for a pint Before kickoff.
But of all buses parked in front of the bar
Of all the rounded bellies with bright white replica kits on
I’m behind the biggest. And I’m parched here. Gasping.
Sod it. I feint left, drop the shoulder, ghost past him
jink between two lads berating their mate for sipping too slow
“you’re a drink behind already Daz. This is like Majorca all over again.”
One more shimmy, spot the gap, then go. so close I can taste it.
Until, finally, I’m in. That’s that.
I slap my wallet on the damp mat in front of the taps
And for those who don’t know, that’s next up nailed on
A move that makes swift service a stone-wall certainty
The barman nods – “what can I get ya?”
I inhale, quick look along the taps to check, when out of nowhere
I feel an elbow nudge from the left. “Actually mate, I think she was next.”
There’s no answer to that. Outgentlemanned. I shrug-Grunt my approval.
join him on the moral high ground. Hold on though… Nooo! It’s too late when it hits.
It’s the old one two, he’s gone in with the assist. I just watch
Mouth agog, as his strike-partner orders. Two halves.
And when the drinks come, my worst fears are confirmed
Coz one is his and one is hers. Even Lands a kiss on her cheek before they turn,
And walk right by me. Arms flung over shoulders all smiley.
Beardsley and Lineker. Italia 90. I swear it’s the hope that kills you.

Simon Mole, 2013.

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The Launch

simolep's launch album on Photobucket

So, I was officially ‘launched’ as the first Poet Laureate for the borough of Brent last Friday. Happy times at chateau Mole. For a while though I was unsure what this ‘launch’ would involve, would I be treated as a ship before its maiden voyage? Ok, I admit it, I’ve been having nightmares for weeks in which the mayor swings a large magnum of champagne full force into my hull, before pushing me off into the Welsh Harp reservoir! Thankfully, the poetry reading we held at the new Brent Civic Centre ran very smoothly indeed…

There was a lovely warm audience, and the feature poets I’ve been introducing on this blog were all as awesome as expected. John Agard performing his poem ‘Books make good pets’ in honour of the new Wembley Library was a personal highlight. I even tried out two brand new Brent inspired pieces myself, one of which I will put up as my next blog post. You can hear me reading a snippet of it as part of an interview on BBC London radio here:

As I said in the interview, as well as me writing and performing poetry about the borough, a big part of the project is creating a platform for other voices within Brent to be heard. This will take the form of a series of FREE writing workshops I will be running at different locations in Brent over the next six months.

The first one is taking place on Saturday July 6th at 2pm, in Brent Civic Centre, and will be a chance to write about places that are important to us within the borough, be that grand landmarks such as Wembley stadium and Neasden temple, or lesser known spots which resonate personally… Find out more info and book you place here!

Keep your eyes out for my first poem soon, and feel free to comment on this post with any ideas you might have for what I should write about next!

Brent Poet Laureate Launch – meet featured poet #3: John Agard

What can I say about our third featured poet for the Brent Poet Laureate launch this Friday?! Basically he’s a total legend and it’s a huge honour to have him involved. John Agard is one of those names that my non-poetry friends know and respect and get excited about, a lot of them probably studied him at school and I often find those that did remember his poems fondly…

This year John is the recipient of the Queen’s Award Medal for Poetry, and in the past he has been Writer in Residence at the South Bank Centre and Poet in Residence at the BBC. Nuff said.

Step one: watch him do his thing below…
Step two: reserve your FREE ticket to see him on Friday evening!